Okay, so thought I’d jot off a quick update.
First off (and most important ;-)), thanks for all your input about the Adorable Whale Bag of Adorableness! I decided, after much thought, to go with the messenger bag, with possible purchase of the pocketed one to follow at a later date. I can NOT wait for it to arrive!! Wa-hoooo!! 🙂 🙂
Both of my status queries garnered very very nice responses—one hoping to have an answer by the end of the month, the other hoping to have an answer soon. I’m not exactly sure what this means, beyond the simple fact that both agents are exceptionally nice people and I get to wait some more. 😛 / 🙂
Seraphine is up to 7,027 words, and I’ve definitely reached the middle because I feel like it’s started to flounder a bit. Still, I think I can press through and wrangle this thing on to the end. I think. Next task is to make my characters fall in love, reveal pertinent backstory, and then zap ’em with my beautiful but tragic ending. Sounds easy, right?
Finished reading Skin Hunger the other night, and I liked it pretty well. One of those stories that sort of starts out quietly and slowly builds up to something profound, but is written well enough to keep your interest. Except…
Let’s talk about trilogies for a minute. You know how in most trilogies, the individual volumes, although very intricately connected to each other, have their own story arc? Build-up, conflict, at least partial resolution to the conflict, leading to a semi (or perhaps full-blown) cliffhanger ending. Right? You know those?
Skin Hunger didn’t follow this pattern. It was starting to get really, really interesting when it stopped. Just… stopped. No ending whatsoever. And I know it’s part of a series and that the second book is out (and I’ve reserved it at the library), but it left me feeling a bit cheated, because it didn’t really feel like a complete book. It didn’t resolve anything. But then maybe that was the point. I don’t know.
What do you think? Should books that are part of a series be able to—at least partly—stand alone?
I’ll leave you with a link to book editor Cheryl Klein’s thoughts on what makes writing good.